Hybrids No. 3, part of the Hybrids collection, is inspired by eucalyptus leaves drifting across the surface of a pond—everyday remnants of the natural world. Through photography and AI-driven transformation, these fragments are reconfigured into unfamiliar arrangements that blur the line between organic and artificial.

Symmetry offers an impression of balance, yet doubled forms create unease; leaves dissolve into shapes suspended between memory and invention. The natural becomes speculative, stitched together by both lens and algorithm.

The piece reflects on beauty and fragility in coexistence, questioning how landscapes are altered and remembered when mediated through technology.