Hybrids No. 4, part of the Hybrids collection, arises from time spent in the shadowed depths of a rainforest gorge in the Australian Blue Mountains, where light, water, and foliage intersect in fleeting, fragile rhythms. The work captures not only what was seen, but also what was felt—the tension between resilience and impermanence.

Photographs of twigs, ferns, and leaves are mirrored and digitally sutured through AI, creating forms that hover between the familiar and the estranged. Organic memory is reconfigured into speculative architectures.

The piece hovers between elegy and invention—an archive of rainforest experience and a meditation on what new forms might emerge as nature is fractured, preserved, and transformed.