Pure_Data_Breve_3, part of the collection Cubist Guitars in Color Space, envisions a glitch-inflected digital cubism—where layered geometric and elliptical forms are rendered in electric colour and fractured vector logic.

Drawing on the visual language of graphic software from the 1990s, the image field mutates through recursive iterations, rewriting itself through parsing together digital objects and aesthetics and a range of painterly gestures and styles.