Created using analogue synthesisers together with digital editing and composition techniques, Plastic Road Movie (2016), like the other works in LoVid’s Thread Through The Eye collection, brings to the fore that which is usually peripheral. White noise, the hum of electrical currents and biological impulses, manifest as visuals and sound. LoVid’s intense hovering soundtrack is a hypnotic undercurrent for the fragmented animated imagery. Details reverberate rather than cohere, with the effect that interference can begin to be felt and understood as a swirling stream of information.