Martin Parr is a chronicler of our age. In the face of the constantly growing flood of images released by the media, his photographs offer us the opportunity to see the world from his unique perspective.
At first glance, his photographs seem exaggerated or even grotesque. The motifs he chooses are strange, the colours are garish and the perspectives are unusual. Parr's term for the overwhelming power of published images is "propaganda". He counters this propaganda with his own chosen weapons: criticism, seduction and humour. As a result, his photographs are original and entertaining, accessible and understandable. But at the same time they show us in a penetrating way that we live, how we present ourselves to others, and what we value.
Leisure, consumption and communication are the concepts that this British photographer has been researching for several decades now on his worldwide travels. In the process, he examines national characteristics and international phenomena to find out how valid they are as symbols that will help future generations to understand our cultural peculiarities. Parr enables us to see things that have seemed familiar to us in a completely new way. In this way he creates his own image of society, which allows us to combine an analysis of the visible signs of globalisation with unusual visual experiences. In his photos, Parr juxtaposes specific images with universal ones without resolving the contradictions. Individual characteristics are accepted and eccentricities are treasured.
The themes Parr selects and his inimitable treatment of them set him apart as a photographer whose work involves the creation of extensive series. Part of his unusual strategy is to present and publish the same photos in the context of art photography, in exhibitions and in art books, as well as in the related fields of advertising and journalism. In this way, he transcends the traditional separation of the different types of photography. Thanks to this integrative approach, as well as his style and his choice of themes, he has long served as a model for the younger generation of photographers.
Martin Parr sensitises our subconscious – and once we've seen his photographs, we keep on discovering these images over and over again in our daily lives and recognising ourselves within them. The humour in these photographs makes us laugh at ourselves, with a sense of recognition and release.
Introduction text above by Thomas Weski
Martin Parr is a photographer who was born in Epsom, Surrey, UK in 1952. When he was a boy, his budding interest in the medium of photography was encouraged by his grandfather George Parr, himself a keen amateur photographer. He studied photography at Manchester Polytechnic from 1970 to 1973.
In 1994, he became a full member of Magnum Photographic Corporation. In 2002, the Barbican Art Gallery and the National Media Museum initiated a large retrospective of Parr’s work. This show toured Europe for the next 5 years. He was Professor of Photography at The University of Wales Newport campus from 2004 to 2012, and Guest Artistic Director for Rencontres D'Arles in 2004.
In 2006, Parr was awarded the Erich Salomon Prize and the resulting Assorted Cocktail show opens at Photokina. In 2008, he was guest curator at New York Photo Festival, curating the New Typologies exhibition. Parrworld opened at Haus de Kunst, Munich in 2008 and toured Europe for the following 2 years. At PhotoEspana, 2008, Martin Parr won the Baume et Mercier award in recognition of his professional career and contributions to contemporary photography.
Parr curated the Brighton Photo Biennial that took place in October 2010. In 2013, he was appointed visiting Professor of Photography at the University of Ulster in Northern Ireland.
More recently Parr has been working on a 4-year project documenting the Black Country, an area of the English West Midlands, in conjunction with Multistory. In 2014, Parr publishes in Phaidon’s third volume of the History of the Photobook and in a book about the History of Chinese Photobooks published by Aperture. He has published over 80 books of his own work and edited another thirty.