Oscillation no. 398-1, 2017

Through hypnotic movement, the artist tries to evoke destabilization and fascination; a metaphor of the acceleration of our lives and the confusion between the virtual and the real. Created with light reflections, optical effects in this video are the result of the recording characteristics of the digital camera.

Musical suggestion for this sequence: definitely acid jazz or blues lounge.

In the S’inventer des mondes serie, Pierre Blache uses video to creates fictional landscapes that oscillate between the representation of the genesis of the Universe and its apocalyptic end; between the unfathomable beauty of our planet and the anguish of the upheavals we have engendered.

To do so, he orchestrates improbable encounters between the scientific representation and its transposition in the art world. He captures short video footage, looking for hidden pieces of magic within the simplicity of things. Convinced that technology is only a tool and not an end in itself, he realizes video povera to counterbalance the celebration of digital. He brings to light the poetry of things without succumbing to the attraction of the virtual.

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