Born in Luxembourg, Eric Schockmel attended the École de Recherche Graphique in Brussels in 2002, before moving to London in 2006 to read an MA in Communication Design at Central Saint Martins. Adopting the city as his own, Schockmel initially exhibited between London and Luxembourg, thereafter developing an incredibly sophisticated platform for his animated artworks internationally. With his technological masterpieces at the cusp of the creative industries, science and technology, Schockmel’s work recalls something of the collaborative ideals of the 1967 Experiments in Art and Technology group, which included Robert Rauschenberg and Robert Whitman as his animated entities appear as equal measure music video, multi-screen installation, high-tech commercial and wannabe video game. Describing “motion graphics as an opportunity for storytelling”, Schockmel is interested in the collaborative qualities of working with other designers, animators, scientists and software developers, in order to arrive at something original. Major festival participations include transmediale.09, Deep North, Berlin (2009), VIMEO Festival, New York, (2010), onedotzeo_adventures in motion festival, BFI Southbank, London, (2011), Ars Electronica Animation Festival, Ars Electronica Linz, AT, (2012), The British Animation Film Festival, London (2014), FILE ANIMA+, Sao Paulo, (2014); and exhibitions include, Japan Media Arts Exhibition, National Arts Centre, Tokyo (2009), REMASTERED: An Intel Visibly Smart Production, London/Manchester (2011), Fail, Galerie Nosbaum Reding, Luxemburg, (2011). I’ve dreamt about, MUDAM, Luxembourg, (2014), VESTIBULE, Bergman Berglind Contemporary, Luxembourg, and MACROSTRUCTURE, Casino- Forum d’Art Contemporain, Luxembourg. (2014), FILE Media Art Exhibition, Galeria de Arte do Sesi, Sao Paulo, (2014).
Schockmel lives and works in London, UK.