Identity, be it personal, cultural, or otherwise, is a theme at the core of our work. This creative preoccupation may come from our family's immigration from Cuba on a boat across one of the most treacherous straights of water in the world. We made a documentary about this experience, which broadcasted nationally on PBS entitled "90 Miles”. Moving images are as resiliant as the human race. Moving images are also phantasmagorical in that they migrate forms in order to continue to exist. Moving images can only be experienced through a projector, a TV, or a computer. Yet, through nothing short of a miracle, they manage to persist as imprints onto vatious mediums, regardless of how intangible or hard to access those mediums may be (such as digital files). Building community through art is a major interest for us. Humans need a community to barter experiences, not to "network", as we are often taught. Networking is what machines do -- but then again, humans are presently transcitioning to becoming fully digital and some would argue that we are only just acknowledging our digital nature. Personally, we have recently been reborn as digital under the name of Violenta Flores, but our film and visual art projects continue to explore the transformation of physical form -- and our perceptions of it. The relationship between natural and artificial constructions often triggers larger questions about our humanity, and acceptance at large.